2026 Movies: Release Dates and Box Office Results - Example Timeline | Boromlia

2026 movie release dates month by month, with verified box office totals. Five films have passed a billion dollars, Spider-Man: Brand New Day owns the biggest opening weekend in history, and Avengers: Doomsday and Dune: Part Three still share 18 December. Updated 4 September 2026.

28 Years Later: The Bone Temple Opens the Year

The 2026 calendar opened with genre films rather than tentpoles. 28 Years Later: The Bone Temple arrived on 16 January, with Return to Silent Hill and Mercy following on 23 January and Netflix releasing The Rip and The Big Fake across the same month. Not one January title finished among the year's ten highest grossers. The studios held their franchise releases until April, which left the first six weeks to horror, book adaptations and streaming premieres.

Wuthering Heights Opens Big Overseas and Fades at Home

Emerald Fennell's adaptation opened over Valentine's Day weekend and took $37.5 million across four days to finish first domestically. Then it collapsed. The domestic run ended at $83.9 million while overseas audiences carried it to $157.6 million, or 65.2% of the $241.6 million worldwide total. Britain alone supplied $34.3 million, with Australia at $14.5 million and Italy at $12.8 million. Margot Robbie and Jacob Elordi drew the crowds abroad. At home the film left the conversation within a fortnight of release.

Pegasus 3 Takes $653.9 Million from China Alone

Most readers of a 2026 box office list have never heard of the year's fifth-highest-grossing film. Pegasus 3 opened on Chinese New Year and took $653.9 million in China out of a $656.4 million worldwide total. The American gross was $1.3 million, and the racing sequel reached only five territories outside China. The first two entries made $255.5 million and $422.3 million there, so the third nearly matched both combined and handed 2026 its largest single-market result.

Scream 7 and Mortal Kombat II Set Franchise Records

Scream 7 opened on 27 February alongside Dreams and the concert film EPiC: Elvis Presley in Concert. Both Scream and Mortal Kombat, whose second instalment followed on 8 May, went on to post the highest worldwide grosses in their respective franchises. Neither cracked the year's top ten, which says more about where the bar sat than about the films: tenth place required $220.6 million by mid-June.

Pixar's Hoppers Opens Spring at $45.3 Million

Spring is where the 2026 box office started in earnest. Pixar's Hoppers opened on 6 March to $45.3 million, held first place in its second weekend, and finished on $166 million domestically and $389.7 million worldwide. International audiences supplied $223.7 million of that, led by Britain, Germany, Japan and Mexico. Among Pixar originals it ranks second since Coco in 2017, behind Elemental.

Project Hail Mary Becomes Amazon MGM's Biggest Film

Ryan Gosling's adaptation of the Andy Weir novel opened to $80.5 million and then refused to drop. Not until its eleventh weekend in theatres did Project Hail Mary lose more than 42 percent of the previous week's business. It has finished on $684.3 million worldwide, split almost exactly down the middle at $344.1 million domestic against $340.3 million international. That makes it Amazon MGM's biggest release and Gosling's second-biggest film, and it clears the other Weir adaptation, The Martian, on $630.6 million.

The Super Mario Galaxy Movie Reaches $1 Billion

The Super Mario Galaxy Movie opened on 1 April and needed a little over two months to clear a billion dollars. Illumination and Nintendo have finished on $1.0125 billion, $429.8 million domestic and $582.7 million abroad, with Mexico, France, Britain and Japan leading overseas. It spent three weekends at number one and avoided a drop of more than 50 percent across its first eight. The 2023 Super Mario Bros. Movie still holds the franchise record at $1.3 billion.

Michael Becomes the First Billion-Dollar Biopic

Antoine Fuqua's Michael opened to $97.2 million, a record for a music biopic, and kept going. Twelve weekends later it crossed a billion dollars, and now stands at $1.021 billion, splitting $649.1 million overseas against $372.3 million at home. That makes it Lionsgate's first billion-dollar release and the first biopic of any kind to reach the mark, passing Oppenheimer on the way. Jaafar Jackson, the singer's nephew, plays Michael Jackson in his first acting role, with Colman Domingo and Nia Long as Joe and Katherine Jackson.

The Devil Wears Prada 2 Starts Summer on 1 May

Summer opened a month early. Disney put The Devil Wears Prada 2 into theatres on 1 May, reviving a Fox title, and took $76.7 million in its first weekend before holding number one for a second. Overseas the sequel did the heavy lifting: $472.3 million of a $692.8 million worldwide total, with Britain ($45 million), Italy ($37.1 million), Brazil ($32.8 million), Germany ($32.3 million) and Japan ($30.4 million) at the front. Meryl Streep, Anne Hathaway and Stanley Tucci all returned. The domestic total is $220.6 million, and the film is sixth for the year.

Obsession Earns More in Its Fourth Weekend Than Its First

Curry Barker's low-budget horror film opened on 15 May to $17.1 million, a number nobody would call a hit. Its second weekend brought $23.9 million, its third $27.3 million, its fourth $25.3 million, which still beat the opening. Obsession has reached $505.7 million worldwide, $263.5 million of it domestic. It is the tenth-biggest film of the year and it made more in its fourth weekend than most horror films make in their first.

The Mandalorian and Grogu Posts Star Wars' Lowest Live-Action Opening

Star Wars returned to cinemas after seven years away and set a franchise record nobody wanted. The Mandalorian and Grogu took $98 million over the extended Memorial Day weekend, the lowest opening for any live-action Star Wars film, then fell 70.1 percent in its second weekend. It has finished on $345.8 million worldwide, $177.7 million domestic and $168.1 million international, the smallest box office of any live-action entry in the saga.

Backrooms Gives A24 Its Biggest Opening Weekend

Kane Parsons began The Backrooms as a series of creepypasta videos on YouTube. A24 turned it into a film, released it on 29 May, and watched it open to $81.4 million domestically, the largest opening in the studio's history. The second weekend fell 67.7 percent. It has still finished on $393.2 million worldwide, $197.5 million of it domestic, comfortably past Timothée Chalamet's ping pong drama Marty Supreme as A24's biggest earner.

Toy Story 5 Opens to $160 Million and Ends Past a Billion

Pixar's fifth Toy Story opened on 19 June to $160 million domestically, the biggest debut of 2026 to that point. It dropped 56 percent in weekend two and still held number one. It has since passed a billion dollars, finishing on $1.137 billion, with $479 million domestic and $657.6 million international. It is the third-biggest film of the year and Pixar's second billion-dollar release.

Supergirl Opens to $38 Million and $68 Million Worldwide

DC Studios opened Supergirl on 26 June against a Toy Story sequel in its second weekend, and lost. Milly Alcock's debut as the character took $38 million domestically and $68 million worldwide, $30 million of that from 77 international markets. The domestic figure came in under Marvel's weakest opening, The Marvels at $46.1 million, and close to Joker: Folie à Deux at $37.6 million. Reported production cost ran between $170 million and $186 million before global marketing.

Minions & Monsters Opens the July Corridor and Takes $513 Million

July is the month American exhibitors count on, and Illumination opened it. Minions & Monsters, the seventh Despicable Me film and third Minions spin-off, arrived on Wednesday 1 July. Pierre Coffin directs from a Brian Lynch screenplay, dropping the yellow henchmen into 1920 Old Hollywood where they try to make a monster movie of their own. Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges and Zoey Deutch voice it. It has taken $513.5 million worldwide, $182.9 million of that domestic. Ninth for the year, and well short of the $970 million Despicable Me 4 managed in 2024.

The Live-Action Moana Finishes on $315 Million

Disney's live-action Moana landed on 10 July, a decade after the animated original and opposite Warner Bros. horror sequel Evil Dead Burn. Thomas Kail directs, Catherine Laga'aia plays Moana, Dwayne Johnson returns as Maui, and Lin-Manuel Miranda wrote new songs to sit beside the ones audiences already know. The comparison points were always unforgiving and the film did not survive them. It has taken $315.4 million worldwide, $126.1 million domestic. The Lion King remake opened to more than that in a single weekend. Fourteenth for the year.

The Odyssey Gives Nolan His Biggest Film

Christopher Nolan shot The Odyssey entirely on IMAX 70mm cameras, the first feature to do so, filming across Morocco, Greece, Italy, Scotland, Iceland and Malta. It opened on 17 July to $123.5 million domestically and $263.7 million worldwide, the largest global opening of his career, with IMAX supplying $51.8 million. The 70mm prints alone, playing on the 41 such screens that exist anywhere in the world, took around $6.1 million in the opening frame, 5 percent of all tickets sold at an average price near $22.50. It has since reached $1.559 billion worldwide, $569.9 million domestic against $989.4 million international. That is second for the year, the biggest film of Nolan's career by a distance, and it clears Oppenheimer and The Dark Knight Rises together.

Spider-Man: Brand New Day Breaks the Opening-Weekend Record

The forecasters had disagreed with each other by more than $100 million. Boxoffice Pro said $280 to $300 million domestic, Box Office Theory capped it at $274 million, and Sony's own internal number was $190 to $195 million. All three were low. Tom Holland's fourth solo film opened on Friday 31 July and took $360 million over three days, beating Avengers: Endgame by $2.9 million to become the biggest domestic opening weekend ever recorded. Opening day, previews included, was $168 million against Endgame's $157.4 million. The worldwide opening was around $930 million, second only to Endgame. It has since passed Titanic. The running total is $2.34 billion, $898.1 million domestic and $1.442 billion international, and it is the biggest film of 2026 by nearly $800 million. Destin Daniel Cretton directs, and it is the first major feature shot for ScreenX, with extra footage covering that format's 270-degree wrap.

Coyote vs. Acme Reaches Cinemas Three Years After Being Shelved

Warner Bros. Discovery shelved Coyote vs. Acme in November 2023 to claim a tax write-off. Public backlash reversed the decision, the filmmakers went looking for a buyer, and Ketchup Entertainment acquired the rights in March 2025 for a reported sum around $50 million. It opened on 28 August. Dave Green directs the live-action and animation hybrid, with John Cena, Will Forte, Lana Condor and P.J. Byrne, following an unemployed coyote who uncovers a corporate cover-up at ACME. It took $15.5 million domestically and $23.9 million worldwide, second on the domestic chart and fifth globally, behind a Spider-Man film in its fifth weekend. The reviews were 95 percent positive and the audience score was an A CinemaScore. For a film a studio wrote off as worth more unreleased, that is the whole argument settled in one weekend.

The Year So Far, With Four Months Left

Five films released in 2026 have passed a billion dollars, against two at the end of June. In order: Spider-Man: Brand New Day on $2.34 billion, The Odyssey on $1.559 billion, Toy Story 5 on $1.137 billion, Michael on $1.021 billion and The Super Mario Galaxy Movie on $1.013 billion. Below them the year looks nothing like the forecasts. The Devil Wears Prada 2 is sixth on $692.8 million, a sequel to a twenty-year-old film that earned 68 percent of its money outside the United States. Project Hail Mary is seventh. Pegasus 3, which almost nobody outside China has seen, is eighth on $641.1 million. A $17 million horror opening, Obsession, is tenth on $505.7 million. Another Chinese film, Kung Fu Soccer, sits fifteenth on $306.9 million without selling a single American ticket. Two of the three biggest films of the year were made from material more than two and a half thousand years old or forty years old. The one original idea in the top ten cost less than most marketing budgets. December still holds two more.

Practical Magic 2 and Resident Evil Open the Autumn Slate

Autumn 2026 leans on revivals. Practical Magic 2 and a new Resident Evil both open on 18 September, a week after DC's Clayface and another Sense and Sensibility. On 25 September Disney puts Avengers: Endgame back on screens, a rerelease timed roughly three months ahead of Avengers: Doomsday. October follows with Terrifier 4 on 1 October and The Legend of Aang: The Last Airbender on 9 October.

Street Fighter Anchors an October of Game Adaptations

Paramount's Street Fighter opens on 16 October with Andrew Koji in the cast, sharing the date with Whalefall. The week before brings The Legend of Aang: The Last Airbender, The Social Reckoning and Other Mommy on 9 October. Video game adaptations had already proved themselves twice in 2026 by that point: The Super Mario Galaxy Movie passed $1 billion in April, and Mortal Kombat II gave its franchise the best worldwide result in the series in May.

The Hunger Games: Sunrise on the Reaping Returns to Panem

Francis Lawrence directs his fifth Hunger Games film, opening 20 November. Sunrise on the Reaping goes back 24 years before the first story, to the morning of the reaping for the 50th Games and the Second Quarter Quell. Joseph Zada, an Australian actor aged 20, plays young Haymitch Abernathy. Whitney Peak plays Lenore Dove Baird, a relative of Lucy Gray. Glenn Close, Ralph Fiennes, Elle Fanning and McKenna Grace appear alongside them. Lionsgate dropped a surprise teaser in November 2025 and a full trailer in April 2026.

Narnia Opens in IMAX Only, a Month Before Netflix

Greta Gerwig's Chronicles of Narnia adaptation, The Magician's Nephew, opens on 26 November in IMAX and nowhere else. The run covers around 1,000 screens across 90 countries for two weeks, the largest theatrical release Netflix has ever arranged, before the film moves to the service on 25 December. Gerwig had pushed for a cinema window, and the IMAX arrangement became a reference point in the wider argument between streamers and exhibitors. She is signed to write and direct at least two Narnia films.

Dunesday: Avengers Doomsday and Dune Part Three Share 18 December

Two of the year's biggest films open on the same Friday, a date the trade press now calls Dunesday. Avengers: Doomsday runs 165 minutes, the Russo brothers' first Marvel film since Endgame, moved from its original May 2026 slot. Marvel confirmed Robert Downey Jr. as Doctor Doom at Comic-Con in July 2026, with Chris Evans and Pedro Pascal on the same panel. Dune: Part Three has booked IMAX screens for its first three weeks in the United States, which leaves Doomsday without IMAX in that window. Denis Villeneuve's film began selling 70mm tickets in April, one show a day at 19 locations, eight months ahead of release.

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